"BALANCING A FLY ROD
In 1889 R. C. Leonard, a tournament caster, stepped to the platform without a reel on his rod and simply coiled the line at his feet. With that abbreviated rig he proceeded to smash all existing distance records, including his own, by a wide margin. It was a shocking thing to competitors and spectators alike. It was a momentous discovery from which not only tournament casters but fishermen as well should have profited. That early-day pioneer discovered an extremely important principle in rod dynamics. It amounts to this: That the caster must move the useless weight below the hand as well as the useful weight above the hand; that the removal of dead weight below the hand helped to overcome inertia more quickly, increasing the tip speed, thus imparting a greater velocity to the projectile or fly line. It should have been a valuable lesson to everyone, but it wasn’t. It remained only among the tournament casters for many years.
If you examine the books and catalogs of those early days you will discover that manufacturers and fishermen-writers discussed very learnedly and extensively such things as “fulcrum point,” “counterpoise,” “balancing the fly rod,” and “letting the rod do the work,” none of which has any merit whatsoever. Not until very recently has there been an awareness of this valid principle. It is evidenced by the availability of numerous fine, very lightweight reels on the market today. In view of this trend I should not be discussing this subject at all, except for the fact that I am frequently surprised by the comments of writers and the recommendations of suppliers or manufacturers prescribing a specific size and weight of reel to balance a particular rod. There can be no such thing as balance in a fly rod. There can never be a fixed “fulcrum point.” Every inch that the cast is lengthened or shortened changes the alleged balance and every unnecessary ounce in an unnecessarily heavy reel dampens and degrades the cast. If you wish to explore this a little further, you can try an experiment as I did some years ago. If you have or can borrow enough reels, let us say in two-ounce increments, all the way from the lightest, about two ounces, to something about eight or nine ounces, you will have enough to make the experiment. Use the same weight of line on the same rod for all trials. With the lightest reels the casts are sharply and cleanly delivered flat out with enough velocity to turn over the leaders. You also get a tighter front bow if you want it. As the reels get heavier there is a noticeable lagging in the forward loop until finally with the heaviest reel there is decided dropping of the loop, and probably a failure to turn over the leader properly. This effect is most pronounced on long casts. And consider how much worse it could be with those reels that were manufactured with a hollow arbor into which the purchaser was urged to pour lead pellets through a little trapdoor in order to correct the balance of his fly rod!
You can suit yourself about these matters but for me there is only one sound system and that is: Use the lightest possible reel of good quality and adequate capacity no matter how long or heavy the rod may be . . . ."
~ Vincent C. Marinaro, "In the Ring of the Rise," Crown Publishers, Inc., New York, copyright 1976, pp. 39-41.
"Before describing my methods of examining rods, here are a few considerations I believe to be of importance.
Let us first rid ourselves of a widespread idea, which I have often had occassion to point out as false or, at least, much exaggerated: the reel does not balance the rod; though in the past when rods were ten feet or more, very long and heavy, a reel as a counterweight did produce the illusion of balancing the rod in the hand; but it is the line which plays the principal role owing to its weight and the shape of its taper. It is, indeed, on the line that the rod depends above all for giving its maximum, and yet retaining its balance. The ideal would be to be able to fish with the reel in your pocket."
Charles Ritz wrote in A Fly Fisher's Life (1959)
