Fly Photos

[Bam Boozelled]

Hey all, been working on different ways to take pictures of my flies, also being a new fly tyer having these detailed shots helps me critique my work. I want to take my camera out to some locations and try to get more natural shots to.







































Thanks for checking them out! Feedback and thoughts are always appreciated.

 

[Davebuech]

Youve been busy! Looking good!

 

[hatidua]

The flies are great. -the lighting is flat, try for more direction with the light...

 

[LOC]

The flies are great. -the lighting is flat, try for more direction with the light...

Ditto, flies look great but you are entering a whole other world photography, art and composition.
I think your images would greatly benefit if you spent some time reading books on composition. Focus on not having competing themes in your images. Strong compositions will have a nice flow to them where the eye travels comfortably.
Also attention to detail is important on how your flies look if you are presenting them in a simple style where the composition of the fly is a strong part of the image.

This is a great start... fly tying and photography is a really fun way to blend both elements into a perfect hobby!

 

[Bam Boozelled]

The flies are great. -the lighting is flat, try for more direction with the light...

Snip*

Thanks for the feedback. Wish I had more lights haha my set is just a couple pieces of gloss paper and 2 studio lights. Not sure what you meant by competing themes either if you could maybe explain?

 

[hatidua]

Thanks for the feedback. Wish I had more lights haha my set is just a couple pieces of gloss paper and 2 studio lights.

You don't need more lights, you need less. You're washing out the scene with light from every which way. One light source, somewhat diffused, from the side (a north facing window is a solid choice for this). Or, go with the product photo approach: One soft light source above and behind your subject (generally referred to as "top/back lighting"). I'm rushing to leave on a fishing trip but I'll try to diagram a lighting setup when I get home, send me a PM if I don't remember.

 

[LOC]

Not sure what you meant by competing themes either if you could maybe explain?

No problem I will try to help you out.
A good example of competing themes in a image is number nine starting from the top.
You have a fly placed in a cork with a bottle cage attached.

When I look at this image my eye goes into the scene and I stop at the bottle cage because it's in the foreground, sharp and the detail in the wire grabs my attention. My eye next travels to the fly I settle there for a moment and then my attention goes back to the bottle cage. Why this is happening is because you gave just as much emphasis (photographically) to the bottle cage as you do with your fly. The two details are competing with each other and my eye does not know where to settle.

Now I know this is a fly shot but imagine if you showed this picture to someone living under a rock that has never seen a fly or a cork with a wire cage on it. Have you directed that viewer to focus on what you set out to photograph?

Try to find a book on composition for still life.
Also read up on how depth of field is perceived by the viewer.
Make the right steps and you will have a good understanding of the general rules to composition, photographic technique and how they affect the viewer. Ok have fun with it and keep shooting...

 

[Bam Boozelled]

Thanks again for all the feedback, heres a few I just took I will look into all the mentioned resources!

 

[LOC]

Bottom pic100% improvement!
Good contrast, good detail in the fly with the right amount of fall off on your depth of field.
Nice tie BTW.

Something you may want to play with... See if you can find a angle that still shows off the fly but gets rid of the strong black line from the jaws of the vice. It may not be possible to have it orientated differently and hold the fly at the right angle.
A presentation vice or some other means to hold and photograph your flies will make a difference if you want to go that route. Otherwise WTG!

Top pic looks like a fun experiment. Technically you should try to define the shape of the bead without it going into black. A simple way to achieve that is experiment with a fill card on the bead head or add a edge light on the bead. This would be a slightly more advance lighting fix but easy to experiment these days with digital. Look up basic lighting techniques use of fill cards and back lighting to define a edge. Gradating the background is another way to fix it by not having the black edge of the bead fall against a black backgorund. The only issue with that route is it will change the mood of the image you have created. Anywho nice improvements!